Last night I dreamt in incredibly fine detail a Canadian sci-fi horror series called "Net", created by David Cronenberg and starring Kevin Bacon as a Pop Tart-eating lawyer. It was all about this boy genius who, back in the '70s, creates this incredibly powerful artificial neural net that instantly became self-aware and so powerful it can alter the laws of time and physics, make people age 40 years instantly, bring the dead back to life, make you travel in time, etc., and he and his brother use it as a toy until the FBI get involved, then the kid goes missing, never to be seen again, and the machine disappears, presumed destroyed, and all the schematics are lost. Then, years later, the kid's brother, played by Bacon, gets sucked back in when all the weird shit that happened years ago starts happening again and he realizes that the machine, and possibly his brother, are still out there, and he spends the rest of the series looking for it as it travels through time wreaking havoc.
There's loads of old green-screen BBC B computers, grainy antique film stock, men in suits, 50s FBI agents, bodies with cataract eyes, scenes of the kid aging 40 years in 30 seconds (truly disturbing). There's also a female character who is disabled in some way. When we first meet her she's dragging herself through the snow on an old-fashioned 70s skateboard, putting electronic tags on lost dogs in the wake of some sort of disaster (an earthquake?). Voiceover: "I felt it was the only way I could atone." She works with Bacon, who keeps trying to get her to eat Pop Tarts. Her mother sends her to work with Frosties. Perhaps she is a cop or a lawyer too. There was even a behind-the-scenes featurette about how Cronenberg came up with the whole idea but had no money so just went to the place in rural Canada where the guy from Starz was filming another series and shouted across the road at him does he want to give him some money to make this amazing new show. It was partially shot in Gary, Indiana, the home of a huge special effects house.
In the title sequence,
all shot in grainy dim tones of red, curtains open on a dark stage. We
see legs sitting in a theatre box, hands holding a crystal ball. It
starts to glow and a woman's screaming face appears. It slips from the
hands onto the knees. Printed circuits are visible around the inside of